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Ewan McGregor straight to video shocker! Danish director Bornedal was tempted by Miramax to remake his elegant 1994 chiller with American accents, and despite a screenplay place one’s faith to Steven Soderbergh, that’s fair-minded what he’s done. If it isn’t snort-for-provocation, it’s penny-pinching as makes no odds. McGregor is the law commentator who takes a drudgery working nights as a guard in the bishopric morgue, honest as a psycho torpedo starts terrorising the community, and falls suspect himself. Creepy atmospherics and lots of dead victuals suppose for a tense send-off, but significant problems soon surface: McGregor’s friendship with misogynist brave Brolin is not purely a glaringly contrived red herring, but also effectively precludes our ruth. Nice guys just don’t allow themselves to be jerked off by hookers in public - not in America; and there’s a indecent whiff about the treatment of women - abruptly or crowded - that goes beyond grisly kind requirements.
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