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Allied to a ghost with a digital camera, an unidentified filmmaker finds himself in the Hermitage in St Petersburg in the early 1700s. As he glides auspices of the elaborate mansion admiring the fabulous works of astuteness wiles, he meets The Marquis (Sergey Dreiden) the only idol who can see or communicate with him; he turns commission to be a cynical French diplomat (surprised at his own precipitate ability to speak Russian). As the two men induce a specialist and occasionally shilly-shally-jumping tour of the imperial court of old Russia, they are witnesses to a myriad examples of sprightliness under the Tsars. They also exchange on numerous occasions wryly acidic opinions (often about Russia’s cultural grade in or gone of Europe) as they observe a unsurpassed have of art and history unfolding through the centuries, until the last Great Royal Ball of 1913, on the eve of the revolution.
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